
The Card Counter
“He's Playing the Hand He Was Dealt.”
Director: Paul Schrader
Producer: Lauren Mann, Braxton Pope, David M. Wulf
Overview
William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk.
Where to watch?
Data source: JustWatch
Cast
If you liked this
Reviews
- S5.0
Steveb29
October 3, 2021
I had a little trouble following the story, and I thought it was somewhat dark. I am sure there is an audience for this kind of production, but I struggled to make it to the end. On the plus side, Oscar Isaac did a good job portraying his part.⭐⭐⭐
- U4.0
ummagumma
December 4, 2021
A confused mess... Spoilers towards the end are flagged. The main storyline is only driven by a strange decision by an older man to invite an obviously mentally unstable 20 something year old man on an all expenses paid road trip across America... For reasons, the mentally unstable man then decides, as any guy in hi…
- M7.0
Manuel São Bento
December 15, 2021
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-card-counter-spoiler-free-review "The Card Counter is a protagonist-driven narrative focused on a hauntingly captivating redemption arc intensely elevated by an exceptional lead performance from Oscar Isaac. The actor ends his remarkable year in…
6.0CinemaSerf
March 27, 2022
I'm not quite sure what I was expecting - but this rather meandering drama left me leaving the cinema asking what or whom this film was for? Oscar Isaac ("William Tell") is a gambler - a successful, under the radar kind of fellow - with a military past steeped in trauma. He encounters a young man "Cirk" (Tye Sheridan)…
- T1.0
tmdb28039023
August 28, 2022
It’s fitting that The Card Counter’s protagonist’s last name is Tell. Not because he has one (as played by Oscar Isaac, he doesn’t have a poker face so much as he is perennially inexpressive), but because writer/director Paul Schrader (unusually phoning it in) lazily favors ‘telling’ over 'showing.’ One would think…






















