
Ölüm Geçirmez
Yönetmen: Quentin Tarantino
Yapımcı: Erica Steinberg, Elizabeth Avellan, Robert Rodriguez
Konu özeti
Austin’in en ünlü DJ’i olan, Jungle Julia (Sydney Tamiia Poitier) en yakın arkadaşları Shanna ve Arlene’le (Jordan Ladd ve Vanessa Ferlito) eğlenmektedir. Sabaha kadar eğlenen üçlü bir şeyin farkında değildirler. Yaptıkları her şeyi izleyen biri vardır, Stuntman Mike (Kurt Russell), yüzünde derin bir yarası ve korkutucu bir arabası olan eski bir dublördür. Günlerdir kızları izleyen Mike, gecenin bitiminde, sabaha karşı yola koyulan kızların peşinden gider.
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Yorumlar
- T9.0
talisencrw
15 Temmuz 2016
My least favourite Tarantino film by a mile but still solid and great fun. I seriously hope he abandons his wish to only do two more films (after his recent 'The Hateful Eight') and then retire, but chacun son gout, as the French would say, and everyone should be able to do whatever they want as long as they don't hurt…
- T
tmdb23156637
21 Aralık 2017
I am apparently one of the few who saw "Grindhouse" when it came to town. Great, grisly fun in the theater on the big-screen. A double-feature complete w/ fictional "previews," several of which became feature films themselves ("Machete," and "Hobo with a Shotgun," which wasn't one of the previews shown in my hometown.)…
6.0Wuchak
15 Ekim 2018
A soured stuntman (Kurt Russell) targets young women with his death-proof cars Created by writer/director Quentin Tarantino, “Death Proof” was originally the second part of the double feature called “Grindhouse,” released in 2007. The other movie was “Planet Terror” by Robert Rodriguez. Both were standalone stories…
9.0John Chard
26 Kasım 2019
There are few things as fetching as a bruised ego on a beautiful angel. Warning: Spoilers Death Proof is directed and written by Quentin Tarantino. It's part of a double feature production that Tarantino and Robert Rodriguez released as Grindhouse. With Rodriguez contributing Planet Terror. Death Proof tells of…
7.0The Movie Diorama
16 Ocak 2020
Death Proof evidently illustrates that Tarantino’s thirst for blood will never run out of fuel. The second feature of Rodriguez/Tarantino’s homage to the “Grindhouse” exploitation genre, is one that reeks of petroleum. Emphasising the raucous vehicular mayhem of muscle car extravaganzas that plagued cinemas in the 70s.…























